We rebel against that spineless worshipping of old canvases, old statues and old bric-a-brac, against everything which is filthy and worm-ridden and corroded by time. We will fight with all our might the fanatical, senseless and snobbish religion of the past, a religion encouraged by the vicious existence of museums. They are an expression of a violent desire, which burns in the veins of every creative artist today. These ideas were not invented by some aesthetic clique. "The cry of rebellion which we utter associates our ideals with those of the Futurist poets. It was couched in the violent and declamatory language of Marinetti's founding manifesto, opening with the words, The painters Giacomo Balla and Gino Severini met Marinetti in 1910 and together with Boccioni, Carrà and Russolo issued the Manifesto of the Futurist Painters. (Russolo was also a composer, and introduced Futurist ideas into his compositions). Marinetti's impassioned polemic immediately attracted the support of the young Milanese painters - Umberto Boccioni, Carlo Carrà, and Luigi Russolo - who wanted to extend Marinetti's ideas to the visual arts. Futurist Painting and Sculpture in Italy 1910-1914 We consider the habitual contempt for everything which is young, new and burning with life to be unjust and even criminal." We rebel against that spineless worshiping of old canvases, old statues and old bric-a-brac, against everything which is filthy and worm-ridden and corroded by time. "We will fight with all our might the fanatical, senseless and snobbish religion of the past, a religion encouraged by the vicious existence of museums. The Italian painter and sculptor Umberto Boccioni ( 1882- 1916) wrote the Manifesto of Futurist Painters in 1910 in which he vowed: The painters Balla and Severini met Marinetti in 1910 and together these artists represented Futurism's first phase. Marinetti's impassioned polemic immediately attracted the support of the young Milanese painters - Boccioni, Carrà, and Russolo-who wanted to extend Marinetti's ideas to the visual arts (Russolo was also a composer, and introduced Futurist ideas into his compositions). The car, the plane, the industrial town were all legendary for the Futurists, because they represented the technological triumph of man over nature. He and others also espoused a love of speed, technology and violence. Marinetti summed up the major principles of the Futurists, including a passionate loathing of ideas from the past, especially political and artistic traditions. The Italian poet Filippo Tommaso Marinetti was the first among them to produce a manifesto of their artistic philosophy in his Manifesto of Futurism ( 1909), first released in Milan and published in the French paper Le Figaro ( February 20). The Futurists explored every medium of art, including painting, sculpture, poetry, theatre, music, architecture and even gastronomy. Futurism was a largely Italian and Russian movement although it also had adherents in other countries. Although a nascent Futurism can be seen surfacing throughout the very early years of the twentieth century, the 1907 essay Sketch of a New Aesthetic of Music by the Italian composer Ferruccio Busoni is sometimes claimed as its true jumping-off point. Futurism was a 20th century art movement.
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